Victoria and Albert Museum sztuka

Book Plate 4, from Variations, by Edouard Benedictus (1879-1930). Print. Paris, France, 1929.

The Great Bed of Ware, made by the school of Hans Vredeman de Vries (1527û 1607). Oak carved. England, 1590-1600.

Papercut of a dragon jar. White paper coloured in inks. Hebei Province, China, c.1982.

Floral textile design. Woven silk. Possibly Lyon, France, 1736-39.

Salle a  Mange, from the book Interieurs en couleur, designed by Charles Spindler (1865-1938). Print. Paris, France, c.1926.

Embroidered cover with floral scrolls and a bird. Embroidered. England, c.1609-29.

Dish depicting an antelope, by William De Morgan (1839-1917). Earthernware. Merton Abbey, London, England, 1880-85.

Cutting, pasting, alligning and papering with various different floral wallpapers and friezes, by H. Clouzet (1865-1941). Print. Paris, France, 1935.

Dye recipe book with samples of printed cotton attached, by Henry Fielding & Bros Calico Printers. Cotton. Catteral, Lancashire, England, 1825

Textile sample with geometric pattern, from a book of dye recipes. Cotton. Lancashire, England, c.1824.

Writing desk with hidden armchair, designed by Koloman Moser (1868-1918), made by Casper Hrazdil (active c.1890-1945). Wood, satinwood and brass. Aust...

Copper Plate Printing, by Abraham Bosse (1602-76). Etching. France, 17th century.

Serving dish depicting The Wedding Banquet of Cupid and Psyche, by Jean Court. Porcelain. Limoges, France, c.1560-80.

Table & secretaire with naval and military trophies below a mask of Apollo, by Jean-Henri Riesener (1734-1806), used by Marie-Antoinette at Versailles...

Clock, by Chevallier. Tortoiseshell engraved brass and ebony. France, Europe, 1874.

Clock, case designed by Francois Lesage, mechanism designed by Chevallier. Tortoiseshell and ebony. Paris, France, 1874.

Two-tiered stand gueridon, probably by Sevres. Wood. France, 1768.

A drop-front secretaire, probably by Roger Van de Cruze (1728-99) also known as Lacroix. Wood. Paris, France, c.1774.

Commode in memory of Sir Chester Beatty's wife, made by Joseph Stockel (1743-1803). Wood. Paris, France, c.1780.

The Engraver's Workshop, by Abraham Bosse (1602-76). Etching. France, 17th century.

The Flight into Egypt from The Life of the Blessed Virgin, by Albrecht Durer (1471-1528). Print. Germany, early 16th century.

The Glaze Kiln, from The Process of Making China at the Royal China Manufactory, published by Barr, Flight & Barr. Print. London, England, 1810.

Forming on the Wheel from The Process of Making China at the Royal China Manufactory, published by Flight & Barr. Print. London, England, 1810.

Tempering the Clay from The Process of Making China at the Royal China Manufactory, published by Flight & Barr. Print. London, England, 1810.

Sheffield Cutler, by George Walker (1781-1856) showing a cutler in his work attire, in a workshop. Aquatint engraving. Leeds, England, 1814.

Ornate goblet. Glass. Venice, Italy, 16th or 17th century.

Writing table with sliding writing compartment, probably by Jean-François Leleu (1729-1807). Wood. Paris, France, c.1765.

Top of a small boulle marquetry table, by James Nixon. Wood. England, 1830-40.

Women's gown, by Anna Maria Garthwaite (1690-1763). Brocaded satin. Spitalfields, London, England, 1740.

Lamp, probably designed by Arthur Dixon (1856-1929) for the Birmingham Guild of Handicraft. Brass. Birmingham, England, c.1893.

Shoes for a woman's bound feet. Cotton. China, 1900-80.

La Belle Gatee or The Camden Town Murder, by Walter Richard Sickert (1860-1942). Drawing. London, England, 1908.

Front Cover of New London Cries, published by W. Walker & Sons. Print. Otley, England, 1830s.

Dress fabric with floral and fruit motifs. Brocaded silk damask. France, c.1700.

Moresque ornament design, by Thomas Geminus (1500-62). Print. London, England, 1548.

Imperial Federation World Map, from The Graphic. London, England, c.1886.

Cushion cover. Velvet. Turkey, 1700-29.

Fragment of a Tiraz with an animal and Arabic inscriptions. Linen and silk. Egypt, Fatimid period, c.1057.

Birds perched in stylised olive branches, by C.F.A. Voysey (1857-1941). Ink and watercolour. England, early 20th century.

Textile or wallpaper design depicting a farm, by C.F.A. Voysey (1857-1941). Watercolour and pencil. England, 1925.

Textile design for Strawberry Tree, by C.F.A. Voysey (1857-1941). Painting. England, 1918.

Eagles design for a wallpaper, by C.F.A. Voysey (1857-1941). Painting. England, early 20th century.

Textile or wallpaper design of Adam and Eve in Paradise, by C.F.A. Voysey (1857-1941). Painting. England, early 20th century.

Butterflies and birds design, by C.F.A. Voysey (1857-1941). Painting. England, 1918.

The Pulpit of San Ambrogio, by John Ruskin (1819-1900). Watercolour. Milan, Italy, 19th century.

The Third Scheme for The Cambridge University Library, by Charles Robert Cockerell (1788-1863). Watercolour. Cambridge, England, 1830.

The Mule Dul Dul. Watercolour. India, 19th century.

Rana and Hanuman. Watercolour. India, c.1860.

Vasudeva holding his son Krishna in his arms whilst encountering a cobra. Watercolour. Calcutta, India, c.1885.

Jasoda and Krishna milking a cow. Watercolour. Calcutta, India, c.1890.