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Sztuka - malarstwo, grafika, rzeźba (4357)

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EN_01305572_0001 EVE
The Spanish Singer, by Edouard Manet, 1860, French impressionist painting, oil on canvas. This painting was a popular and critical success for 29 year old Manet in his debut at the Salon of 1861 (BSLOC_2017_3_1)
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EN_01305572_0002 EVE
A Matador, by Edouard Manet, 1866-67, French impressionist painting, oil on canvas. This is a portrait of Cayetano Sanz y Pozas, a famous Spanish bullfighter (BSLOC_2017_3_10)
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EN_01305572_0003 EVE
Sulking, by Edgar Degas, 1870, French impressionist painting, oil on canvas. The writer Edmond Duranty and model Emma Dobigny, posed for this early genre scene, set in an office (BSLOC_2017_3_100)
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EN_01305572_0004 EVE
The Dancing Class, by Edgar Degas, 1870, French impressionist painting, oil on wood. This is Degas's first depiction of a dance class, painted from study drawings (BSLOC_2017_3_101)
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EN_01305572_0005 EVE
Ballet from 'Robert le Diable', by Edgar Degas, 1871, French impressionist painting, oil on canvas. The man with the binoculars looks into the audience, as nuns risen from the dead and dance amid the ruins of a monastery on stage (BSLOC_2017_3_102)
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EN_01305572_0006 EVE
Rehearsal of the Ballet Onstage, by Edgar Degas, 1874, French impressionist mixed media drawing. Ballerinas stand in natural postures offstage, while men observe the dancers onstage. There are amusing cropped violin scrolls at lower left (BSLOC_2017_3_103)
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EN_01305572_0007 EVE
The Rehearsal Onstage, by Edgar Degas, 1874, French impressionist drawing, pastel on paper. In a second version of the rehearsal, Degas has eliminated several figures and created a less cluttered picture. There is only one cropped violin scroll at lower left (BSLOC_2017_3_104)
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EN_01305572_0008 EVE
The Dance Class, by Edgar Degas, 1873, French impressionist painting, oil on canvas. Over twenty women, ballerinas and their mothers, wait while a dancer executes her examination. Jules Perrot, a famous ballet master, conducts the class (BSLOC_2017_3_105)
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EN_01305572_0009 EVE
Dancers Practicing at the Barre, by Edgar Degas, 1874, French impressionist painting, on canvas. Louisine Havemeyer purchased this painting for $95,700 in 1912, setting a record price for a work by a living artist (BSLOC_2017_3_106)
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EN_01305572_0010 EVE
Three Dancers Preparing for Class, by Edgar Degas, 1878-90, French impressionist pastel drawing. The dancer on right is fifteen-year-old Melina Darde, a second-line dancer who never became a soloist (BSLOC_2017_3_107)
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EN_01305572_0011 EVE
The Dance Lesson, by Edgar Degas, 1879, French impressionist drawing, pastel on paper. Degas added a panel of paper at top and on right to incorporate the violin player (BSLOC_2017_3_108)
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EN_01305572_0012 EVE
The Singer in Green, by Edgar Degas, 1884, French impressionist drawing, pastel on paper. Degas captures the specific gesture of the woman's upper torso and head as she sings (BSLOC_2017_3_109)
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EN_01305572_0013 EVE
The Funeral, by Edouard Manet, 1867, French impressionist painting, oil on canvas. This unfinished painting is believed to be the funeral of Charles Baudelaire, in 1867. The funeral cortege is at the foot of the Butte Mouffetard, in southwest Paris (BSLOC_2017_3_11)
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EN_01305572_0014 EVE
Dancers, Pink and Green, by Edgar Degas, 1890, French impressionist painting, oil on canvas. The dark profile shows a top-hatted patron of the Paris Opera, who was allowed to be watch the dancers in the wings during a performance (BSLOC_2017_3_110)
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EN_01305572_0015 EVE
The Dancers, by Edgar Degas, 1900, French impressionist drawing, pastel and charcoal on paper. Degas told art dealer Ambroise Vollard, 'for me the dance is a pretext for painting pretty costumes and rendering movement' (BSLOC_2017_3_111)
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EN_01305572_0016 EVE
Two Dancers, by Edgar Degas, 1870-95, French impressionist drawing, pastel on paper. Two dancers depicted as they adjust their costume straps (BSLOC_2017_3_112)
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EN_01305572_0017 EVE
A Woman Ironing, by Edgar Degas, 1873, French impressionist painting, oil on canvas. As with dancers, Degas painted the repetitive, specialized gestures made by laundresses (BSLOC_2017_3_113)
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EN_01305572_0018 EVE
Portraits at the Stock Exchange, by Edgar Degas, 1879, French impressionist pastel drawing. Preliminary study for a painting of the Jewish financier and collector Ernest May (center), under the portico of the Paris Stock Exchange (BSLOC_2017_3_114)
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EN_01305572_0019 EVE
At the Milliner's, by Edgar Degas, 1881, French impressionist drawing, pastel on paper. Two women customers, seen from behind, in a millinery shop (BSLOC_2017_3_115)
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EN_01305572_0020 EVE
At the Milliner's, by Edgar Degas, 1882, French impressionist pastel drawing. American artist Mary Cassatt was Degas' model for the customer in this work (BSLOC_2017_3_116)
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EN_01305572_0021 EVE
Race Horses, by Edgar Degas, 1885-88, French impressionist drawing, pastel on wood. Degas applied the pastel directly on a wood panel, allowing the bare wood to represent the sky (BSLOC_2017_3_117)
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EN_01305572_0022 EVE
Woman Bathing in a Shallow Tub, by Edgar Degas, 1885, French impressionist drawing, pastel on paper. After it was exhibited at the 8th Impressionist Exhibition in 1886, Degas traded this work with Mary Cassatt, for the painting 'Girl Arranging Her Hair' (BSLOC_2017_3_118)
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EN_01305572_0023 EVE
Woman Drying Her Foot, by Edgar Degas, 1885-86, French impressionist drawing, pastel on paper. Degas depicted the bather in a natural position, doubled-up, reaching to dry her foot (BSLOC_2017_3_119)
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EN_01305572_0024 EVE
Execution of the Emperor Maximilian, by Edouard Manet, 1868, French Impressionist lithograph print. The Hapsburg prince was installed as monarch of Mexico by the French in 1864, while the US was embroiled in Civil War. Mexicans loyal to deposed president Benito Juarez ousted and executed him in 1867 (BSLOC_2017_3_12)
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EN_01305572_0025 EVE
Woman Having Her Hair Combed, by Edgar Degas, 1886?88, French impressionist pastel drawing. Degas captured a natural pose of a women bracing her torso with her arms, as a maid pulls against her hair (BSLOC_2017_3_120)
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EN_01305572_0026 EVE
Woman Drying Her Arm, by Edgar Degas, 1888-92, French impressionist pastel and charcoal drawing. Critics attacked the ungainly poses of his bathers, comparing them negatively against the conventional graceful of Beaux Arts nudes (BSLOC_2017_3_121)
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EN_01305572_0027 EVE
Woman Combing Her Hair, by Edgar Degas, 1888-90, French impressionist drawing, pastel on paper. Degas modeled the figure?s pink flesh with chartreuses and greens. At the same time Post Impressionists Seurat or Van Gogh were working with unnatural colors for expressive effect (BSLOC_2017_3_122)
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EN_01305572_0028 EVE
Bather Stepping into a Tub, by Edgar Degas, 1890, French impressionist pastel and charcoal drawing. This is one of seven pastels in which Degas depicted a nude entering a bath tub (BSLOC_2017_3_123)
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EN_01305572_0029 EVE
Woman with a Towel, by Edgar Degas, 1894-98, French impressionist drawing, pastel on paper. The strong outlines emphasize the muscularity of the woman's action (BSLOC_2017_3_124)
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EN_01305572_0030 EVE
The Pink Dress, by Berthe Morisot, 1870, French impressionist painting, oil on canvas. Morisot began studying painting at age 16, and was influenced by Corot to paint landscapes 'en plein air' in the early 1860s. This canvas was painted two years into her artistic friendship with Manet, when she adopted the impressionist style (BSLOC_2017_3_125)
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EN_01305572_0031 EVE
The Bridge at Villeneuve-la-Garenne, by Alfred Sisley, 1872, French impressionist oil painting. Sisley painted this modern bridge to the Paris suburb of St. Denis in a light palette with flat brushstrokes depicting reflections on the water (BSLOC_2017_3_126)
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EN_01305572_0032 EVE
View of Marly-le-Roi from Coeur-Volant, by Alfred Sisley, 1876, French impressionist oil painting. Sisley's use of complementary colors of blue and orange enliven this unconventionally composed landscape (BSLOC_2017_3_127)
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EN_01305572_0033 EVE
Alley of Chestnut Trees, by Alfred Sisley, 1878, French impressionist painting, oil on canvas. In Sevres, Sisley painted this view of a curved roadway along the Seine River lined with chestnut trees (BSLOC_2017_3_128)
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EN_01305572_0034 EVE
The Road from Versailles to Louveciennes, by Alfred Sisley, 1879, French impressionist oil painting. This was painted near the town of Louveciennes, on the road between Versailles and Saint-Germain-en-Laye. Sisley included a country laborer pushing a cart and a city man wearing a black suit and top hat (BSLOC_2017_3_129)
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EN_01305572_0035 EVE
Monet Family in Their Argenteuil Garden, by Edouard Manet, 1874, French impressionist oil painting. Manet and Renoir were guests of Monet when this work was painted. When not posing, Monet painted Manet at his easel and Renoir also painted his work, Madame Monet and Her Son, now at the National Gallery of Art, Washington, D.C. (BSLOC_2017_3_13)
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EN_01305572_0036 EVE
The Road from Moret to Saint-Mammes, by Alfred Sisley, 1883-85, French impressionist oil painting. Drawn to picturesque views, Sisley moved to the edge of the Forest of Fontainebleau (BSLOC_2017_3_130)
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EN_01305572_0037 EVE
Rue Eugene Moussoir at Moret: Winter, by Alfred Sisley, 1891, French impressionist oil painting. Sisley painted this snow covered landscape with subtle palette of warm and cool colors (BSLOC_2017_3_131)
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EN_01305572_0038 EVE
Sahurs Meadows in Morning Sun, by Alfred Sisley, 1894, French impressionist painting, oil on canvas. Sisley spent the summer of 1894 at the estate of his friend and patron, Fran?ois Depeaux, a wealthy Norman industrialist, who purchased five of his painting, including this one (BSLOC_2017_3_132)
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EN_01305572_0039 EVE
Nurse Reading to a Little Girl, by Mary Cassatt, 1895, Impressionist pastel painting, on paper. The figures are set in a landscape, possibly at Cassatt's home at Mesnil-Theribus, northwest of Paris (BSLOC_2017_3_133)
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EN_01305572_0040 EVE
Mother Playing with Child, by Mary Cassatt, 1897, Impressionist pastel painting, on paper. The figures are set in a landscape, possibly at Cassatt's home at Mesnil-Theribus, northwest of Paris (BSLOC_2017_3_134)
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EN_01305572_0041 EVE
Nurse and Child, by Mary Cassatt, 1896-7, French impressionist painting, oil on canvas. Cassatt's pastel techniques were influenced by those of her friend Degas (BSLOC_2017_3_135)
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EN_01305572_0042 EVE
Mother Feeding Child, by Mary Cassatt, 1898, Impressionist pastel painting, on paper. This is an unsentimental depiction of daily life (BSLOC_2017_3_136)
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EN_01305572_0043 EVE
Mother and Child (Baby After His Nap), by Mary Cassatt, 1899, French impressionist oil painting. A well-dressed mother attends her awakening child, with her breakfast tray nearby (BSLOC_2017_3_137)
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EN_01305572_0044 EVE
Young Mother Sewing, by Mary Cassatt, 1900, French impressionist painting, oil on canvas. Painted in soft greens, a mother adjusts her task to accommodate the presence of the young child (BSLOC_2017_3_138)
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EN_01305572_0045 EVE
Mother and Child with a Rose Scarf, by Mary Cassatt, 1908, French impressionist oil painting. Cassatt adopted a stable classical composition for this mother and child portrait (BSLOC_2017_3_139)
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EN_01305572_0046 EVE
Boating, by Edouard Manet, 1874, French impressionist painting, oil on canvas. Manet uses large areas of flat color in a sunlight drenched outdoor scene (BSLOC_2017_3_14)
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EN_01305572_0047 EVE
Portrait of a Young Girl, by Mary Cassatt, 1899, French impressionist painting, oil on canvas. This work adopts the compositional style of Japanese prints with its high vantage point, flattened space (BSLOC_2017_3_140)
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EN_01305572_0048 EVE
Margot Standing in a Garden, by Mary Cassatt, 1900, French impressionist painting, oil on canvas. Margot Lux, a child from the village near Cassatt?s country home, was the model for this painting (BSLOC_2017_3_141)
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EN_01305572_0049 EVE
Margot in Orange Dress, by Mary Cassatt, 1902, Impressionist pastel painting, on paper. This canvas is dominated by the bright orange and dull olive green of the background (BSLOC_2017_3_142)
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EN_01305572_0050 EVE
Lydia Crocheting in the Garden at Marly, by Mary Cassatt, 1880, Impressionist oil painting. Cassatt's painted her sister Lydia at Marly-le-Roi, a village outside Paris (BSLOC_2017_3_143)
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EN_01305572_0051 EVE
The Cup of Tea, by Mary Cassatt, 1880-81, Impressionist oil painting. Cassatt painted her sister Lydia at afternoon tea, which she showed in the 1881 Impressionist exhibition (BSLOC_2017_3_144)
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EN_01305572_0052 EVE
Lady at the Tea Table, by Mary Cassatt, 1883-85, French impressionist painting, oil on canvas. Mary Dickinson Riddle, a Cassatt family cousin, painted with a gilded blue-and-white Canton porcelain service, she gave to her Cassatt relatives. Mary painted this portrait in response to the gift, but the Riddle family didn't like the painting and it remained in the artist's collection (BSLOC_2017_3_145)
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EN_01305572_0053 EVE
Denise at Her Dressing Table, by Mary Cassatt, 1908-9, French impressionist painting, oil on canvas. An auburn-haired young woman examines her hairdo with two mirrors in a painterly composition of warm browns, pinks and rich grays (BSLOC_2017_3_146)
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EN_01305572_0054 EVE
Still Life with Roses and Fruit, by Henri Fantin-Latour, 1863, French impressionist oil painting. Fantin-Latour associated with the Impressionists, but his style remained compositionally conservative throughout his artistic career (BSLOC_2017_3_147)
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EN_01305572_0055 EVE
Still Life with Flowers and Fruit, by Henri Fantin-Latour, 1866, French impressionist oil painting. Fantin-Latour used a light gray background and luminous color in the realist still life commissioned by Michael Spartali of London (BSLOC_2017_3_148)
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EN_01305572_0056 EVE
Asters and Fruit on a Table, by Henri Fantin-Latour, 1868, French impressionist oil painting. Fantin-Latour used simple vases and plain tabletops that emphasized his virtuoso painting of flowers and fruits (BSLOC_2017_3_149)
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EN_01305572_0057 EVE
Madame Manet (Suzanne Leenhoff), by Edouard Manet, 1880 French impressionist oil painting. The portrait was painted in the Bellevue suburb of Paris, in the summer of 1880 (BSLOC_2017_3_15)
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EN_01305572_0058 EVE
Still Life with Pansies, by Henri Fantin-Latour, 1874, French impressionist painting, oil on canvas. This is one of thirty-one paintings that Fantin-Latour, produced in 1874 (BSLOC_2017_3_150)
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EN_01305572_0059 EVE
Summer Flowers, by Henri Fantin-Latour, 1880, French impressionist painting, oil on canvas. The dahlias, phlox, and roses in the bouquet were picked near of the artist?s country home in Bure, Normandy (BSLOC_2017_3_151)
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EN_01305572_0060 EVE
Potted Pansies, by Henri Fantin-Latour, 1883, French impressionist painting, oil on canvas. This is a small painting, measuring only 11 ? 13 1/2 inches (BSLOC_2017_3_152)
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EN_01305572_0061 EVE
Roses in a Bowl, by Henri Fantin-Latour, 1883, French impressionist painting, oil on canvas. Fantin-Latour sold many of his works in England, where his conservative style and virtuosity were admired (BSLOC_2017_3_153)
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EN_01305572_0062 EVE
Roses and Lilies, by Henri Fantin-Latour, 1888, French impressionist painting, oil on canvas. Examination of this painting's detail, reveals Fantin-Latour's use of the wood brush handle to delineate the flowers (BSLOC_2017_3_154)
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EN_01305572_0063 EVE
Pansies, by Henri Fantin-Latour, 1903, French impressionist painting, oil on canvas. This study of pansies in a basket was one of Fantin-Latour's last paintings (BSLOC_2017_3_155)
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EN_01305572_0064 EVE
On the Beach at Trouville, by Eugene Boudin, 1863, French impressionist painting, oil on wood. The portable cabana, a place to change into bathing suits, served the more active tourists (BSLOC_2017_3_156)
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EN_01305572_0065 EVE
On the Beach, Dieppe, by Eugene Boudin, 1864, French impressionist painting, oil on wood. Boudin was a marine painter and one of the first French landscape artist to paint outdoors (BSLOC_2017_3_157)
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EN_01305572_0066 EVE
On the Beach, Sunset, by Eugene Boudin, 1865, French impressionist painting, oil on wood. Boudin built a steady clientele for his beach paintings, as railroad borne tourists flocked to the Normandy coast (BSLOC_2017_3_158)
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EN_01305572_0067 EVE
Beaulieu: The Bay of Fourmis, by Eugene Boudin, 1892, French impressionist painting, oil on canvas. This was painted on the French Riviera in March 1892, with a light and bright palette of impressionism, but a more conventional realist composition (BSLOC_2017_3_159)
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EN_01305572_0068 EVE
The Bodmer Oak, Fontainebleau Forest, by Claude Monet, 1865, French impressionist oil painting. Bodmer Oak was named after Swiss artist Karl Bodmer who painted this tree 15 years earlier (BSLOC_2017_3_16)
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EN_01305572_0069 EVE
The Pont Neuf, by Johan Barthold Jongkind, 1849-50, Dutch realist painting, oil on canvas. His painterly open brushwork, and luminous sky forecast impressionism, while the composition shows the influence of his teacher, the French Romantic marine painter, Eugene Isabey (BSLOC_2017_3_160)
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EN_01305572_0070 EVE
Honfleur, by Johan Barthold Jongkind, 1865, French impressionist painting, oil on canvas. In Normandy in the 1860s, Jongkind met and shared ideas with painters Alfred Sisley, Eugene Boudin, and the young Claude Monet (BSLOC_2017_3_161)
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EN_01305572_0071 EVE
Tea, by James Tissot, 1872, French realist, impressionistic, painting, oil on canvas. Tissot often painted elegantly dressed women shown in scenes of fashionable life, which were very popular with England, where he painted in the 1870s. Note the cityscape seen through the window (BSLOC_2017_3_162)
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EN_01305572_0072 EVE
In Full Sunlight (En plein soleil), by James Tissot, 1881, French realist, impressionistic, oil painting. In Tissot's garden in St. John's Wood, London. He painted his companion, divorcee Kathleen Newton (left); her children, 5 year old Cecil George Newton under umbrella, 10 year old Muriel Mary Violet Newton. The two figures at right are unidentified (BSLOC_2017_3_163)
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EN_01305572_0073 EVE
Spring Morning, by James Tissot, 1875, French realist, impressionistic, painting, oil on canvas. The clump of vegetation in the foreground was unconventional, and similar to compositional devices used by the impressionists and Japanese prints (BSLOC_2017_3_164)
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EN_01305572_0074 EVE
Gossip, by Giovanni Boldini, 1873, Italian, impressionistic painting, oil on wood. The light bright colors and brushwork of this painting are impressionistic, but the story-telling gestures and expressions are antithetical to impressionism (BSLOC_2017_3_165)
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EN_01305572_0075 EVE
Hortensia, by Fernand Khnopff, 1884, Belgian realist painting, realist, oil on canvas. The blossoming hydrangea (hortensia in French) dominates the painting, subordinating the female sitter, probably the artist's sister, Marguerite. The unconventional compositions suggest Impressionists influence on the future Symbolist artist (BSLOC_2017_3_166)
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EN_01305572_0076 EVE
Parisian Street Scene, by Jean Beraud, 1885, French impressionistic painting, oil on canvas. Beraud painted Parisian street life in an academic style influenced by impressionism. His works were populated by prosperous Belle Epoque characters, such as the stylish woman is at a one side of a poster covered kiosk, and the gentleman on the other (BSLOC_2017_3_167)
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EN_01305572_0077 EVE
Chrysanthemums in the Garden, by Gustave Caillebotte, 1893, French impressionist painting, oil on canvas. Caillebotte showed with the Impressionists and supported them with his personal wealth (BSLOC_2017_3_168)
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EN_01305572_0078 EVE
The Green Wave, by Claude Monet, ca. 1866?67, French impressionist painting, oil on canvas. This seascape used elements from Manet's 1864 paintings of the USS Kearsarge. Both paintings employ high horizons and painterly waves (BSLOC_2017_3_17)
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EN_01305572_0079 EVE
Garden at Sainte-Adresse, by Claude Monet, 1867, French impressionist painting, oil on canvas. This was painted as Monet was breaking away from the influence of Manet and developing his dappled paint application (BSLOC_2017_3_18)
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EN_01305572_0080 EVE
Regatta at Sainte-Adresse, by Claude Monet, 1867, French impressionist painting, oil on canvas. It depicts a sailing regatta at Le Havre with figures on the beach. The standing man in a gray suit and straw hat is Monet?s father (BSLOC_2017_3_19)
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EN_01305572_0081 EVE
Boy with a Sword, by Edouard Manet, 1861 French impressionist painting, oil on canvas. Manet?s stepson, 10 year old Leon Koella-Leenhoff, posed for this painting (BSLOC_2017_3_2)
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EN_01305572_0082 EVE
La Grenouillere, by Claude Monet, 1869, French impressionist painting, oil on canvas. On right is the fashionable middle class restaurant built on a barge, joined by planks to a small island known as the 'flower pot'. Renoir also painted this same scene in the summer of 1869 (BSLOC_2017_3_20)
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EN_01305572_0083 EVE
Houses on the Achterzaan, by Claude Monet, 1871, French impressionist painting, oil on canvas. In the summer of 1871, Monet painted Dutch landscapes, enjoying 'amusing things everywhere: hundreds of windmills and enchanting boats' (BSLOC_2017_3_21)
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EN_01305572_0084 EVE
Jean Monet on His Hobby Horse, by Claude Monet, 1872, French impressionist painting, oil on canvas. Monet kept this portrait of his 5 year old son all of his life (BSLOC_2017_3_22)
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EN_01305572_0085 EVE
Spring (Fruit Trees in Bloom), by Claude Monet, 1873, French impressionist painting, oil on canvas. This work was painted near his home in Argenteuil, on the Seine, northwest of Paris (BSLOC_2017_3_23)
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EN_01305572_0086 EVE
Poppy Fields near Argenteuil, by Claude Monet, 1875, French impressionist painting, oil on canvas. It depicts the plain of Gennevilliers, southeast of Argenteuil (BSLOC_2017_3_24)
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EN_01305572_0087 EVE
Camille Monet in the Garden at Argenteuil, by Claude Monet, French impressionist oil painting. Monet applied the paint in small daubs over the entire canvas, a style that became characteristic of his mature works (BSLOC_2017_3_25)
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EN_01305572_0088 EVE
Landscape: The Parc Monceau, by Claude Monet, 1876, French impressionist painting, oil on canvas. Monet applied the paint in small daubs over the entire canvas, a style that became characteristic of his mature works (BSLOC_2017_3_26)
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EN_01305572_0089 EVE
The Parc Monceau, by Claude Monet, 1878, French impressionist painting, oil on canvas. Monet applied the paint in small daubs over the entire canvas that reduced the illusion of the volumes and space of his motif (BSLOC_2017_3_27)
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EN_01305572_0090 EVE
Apples and Grapes, by Claude Monet, 1879?80, French impressionist painting, oil on canvas. In painting this basket of apples, Monet balances the active surface created by his small brushstrokes with the illusion of volume and space of his motif (BSLOC_2017_3_28)
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EN_01305572_0091 EVE
The Seine at Vetheuil, by Claude Monet, 1880, French impressionist painting, oil on canvas. Monet painted this work with a variety of brushstrokes, using broader strokes for the cloud, and horizontals for the water (BSLOC_2017_3_29)
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EN_01305572_0092 EVE
Mademoiselle V in Costume of an Espada, by Edouard Manet, 1862, French impressionist oil painting. Manet's favorite model, Victorine Meurent, is painted as a matador against a backdrop of a bullfight (BSLOC_2017_3_3)
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EN_01305572_0093 EVE
Vetheuil in Summer, by Claude Monet, 1880, French impressionist painting, oil on canvas. This painting creates the illusion of flickering reflections of sunlight on the water (BSLOC_2017_3_30)
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EN_01305572_0094 EVE
Ile aux Fleurs near Vetheuil, by Claude Monet, 1880, French impressionist painting, oil on canvas. The forms and space of the landscape are dematerialized in the lacework of his brushstrokes (BSLOC_2017_3_31)
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EN_01305572_0095 EVE
View of Vetheuil, by Claude Monet, 1880, French impressionist painting, oil on canvas. A footpath starts at lower right and disappears into the poppy field. In distance is the church tower at Vetheuil, a village northwest of Paris (BSLOC_2017_3_32)
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EN_01305572_0096 EVE
Bouquet of Sunflowers, by Claude Monet, 1881, French impressionist painting, oil on canvas. Sunflowers in a Japanese vase on a red tablecloth (BSLOC_2017_3_33)
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EN_01305572_0097 EVE
Chrysanthemums, by Claude Monet, 1882, French impressionist painting, oil on canvas. Monet's twenty floral still lifes painted between 1878 and 1883, received critical and commercial success (BSLOC_2017_3_34)
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EN_01305572_0098 EVE
Cabin of the Customs Watch, by Claude Monet, 1882, French impressionist painting, oil on canvas. This painting is one of 14 views Monet made at Pourville in 1882 (BSLOC_2017_3_35)
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EN_01305572_0099 EVE
The Manneporte (Etretat), by Claude Monet, 1883, French impressionist painting, oil on canvas. Monet painted the solid rock, the sea, and the sky in terms of color and luminosity (BSLOC_2017_3_36)
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EN_01305572_0100 EVE
Palm Trees at Bordighera, by Claude Monet, 1884, French impressionist painting, oil on canvas. Monet painted this in the Italian Riviera, looking west across the Bay of Ventimiglia and toward the Maritime Alps (BSLOC_2017_3_37)
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EN_01305572_0101 EVE
The Valley of the Nervia, by Claude Monet, 1884, French impressionist painting, oil on canvas. In the Italian Riviera, river Nervia River flows into the Mediterranean, with the snowcapped Maritime Alps in the background (BSLOC_2017_3_38)
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EN_01305572_0102 EVE
The Stroller (Suzanne Hoschede) by Claude Monet, 1887, French impressionist painting, oil on canvas. Suzanne was the daughter of Monet's long time mistress, Alice Hoschede, whom he married in 1882 after her first husband died (BSLOC_2017_3_39)
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EN_01305572_0103 EVE
Fishing, by Edouard Manet, 1862-63, French impressionist painting, oil on canvas. Manet and his future wife, Suzanne Leenhoff, are the couple at lower right dressed in seventeenth-century costume (BSLOC_2017_3_4)
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EN_01305572_0104 EVE
Rapids on the Petite Creuse at Fresselines, by Claude Monet, 1889, French impressionist oil painting. Monet painted the foaming rapids, smooth flowing water, and rocks and grass on the riverbank (BSLOC_2017_3_40)
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EN_01305572_0105 EVE
The Four Trees, by Claude Monet, 1891, French impressionist painting, oil on canvas. Monet painted this from a boat in the Epte River. As with his Haystack and Rouen Cathedral series, he created several paintings capturing the specific colors created by changing light (BSLOC_2017_3_41)
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EN_01305572_0106 EVE
Haystacks (Effect of Snow and Sun), by Claude Monet, 1891, French impressionist oil painting. Between 1890 and 1891 Monet created over 2 dozen paintings of the haystacks near his house at Giverny (BSLOC_2017_3_42)
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EN_01305572_0107 EVE
Ice Floes, by Claude Monet, 1893, French impressionist painting, oil on canvas. After cold and heavy snowfalls in the winter of 1892?93, Monet created a series of paintings from his home in Giverny (BSLOC_2017_3_43)
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EN_01305572_0108 EVE
Rouen Cathedral: The Portal (Sunlight), by Claude Monet, 1894, French impressionist oil painting. Monet painted more than thirty views of Rouen Cathedral in 1892?93, which he began in Rouen and finished in his studio at Giverny (BSLOC_2017_3_44)
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EN_01305572_0109 EVE
Morning on the Seine near Giverny, by Claude Monet, 1897, French impressionist oil painting. Monet painted the pictures of this series from his floating studio boat as he captured the changing light of sunrise (BSLOC_2017_3_45)
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EN_01305572_0110 EVE
Bridge over a Pond of Water Lilies, by Claude Monet, 1899, French impressionist oil painting. In the summer of 1899 Monet completed 12 canvases of the wooden footbridge over the lily pond at Giverny (BSLOC_2017_3_46)
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EN_01305572_0111 EVE
The Houses of Parliament (Effect of Fog), by Claude Monet, 1903?4, French impressionist oil painting. Between 1899 and 1901, Monet painted views of the Thames River in London, including this one from Saint Thomas's Hospital across the river (BSLOC_2017_3_47)
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EN_01305572_0112 EVE
The Doge's Palace Seen from San Giorgio Maggiore, by Claude Monet, 1908, impressionist oil painting. Monet began this painting in 1904, and completed it in France for a 1912 exhibit (BSLOC_2017_3_48)
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EN_01305572_0113 EVE
The Path through the Irises, by Claude Monet, 1914?17, French impressionist painting, oil on canvas. In his last decade, Monet created large, flowing painterly works of his gardens at Giverny (BSLOC_2017_3_49)
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EN_01305572_0114 EVE
Young Man in the Costume of a Majo, by Edouard Manet, 1863, French impressionist oil painting. Manet's younger brother Gustave posed for this work rejected from the Paris Salon of 1863. Majo were urban men of the Spanish lower classes who dressed with style and flamboyance and were a popular subject of 19th century painters (BSLOC_2017_3_5)
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EN_01305572_0115 EVE
Water Lilies, by Claude Monet, 1916?19, French impressionist painting, oil on canvas. In his last decade, Monet painted waterlilies in a fluid, free style (BSLOC_2017_3_50)
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EN_01305572_0116 EVE
Water Lilies, by Claude Monet, 1919, French impressionist painting, oil on canvas. Monet left many of his late works unfinished, but this work was an exception which he signed and sold in 1919 (BSLOC_2017_3_51)
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EN_01305572_0117 EVE
Jalais Hill, Pontoise, by Camille Pissarro, 1867, French impressionist painting, oil on canvas. Zola described this painting as 'the modern countryside, from ordinary reality the painter's temperament has drawn a rare poem of life and strength' (BSLOC_2017_3_52)
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EN_01305572_0118 EVE
Still Life with Apples and Pitcher, by Camille Pissarro, 1872, French impressionist oil painting. This is a rare Pissarro still life painting from the artist's early career (BSLOC_2017_3_53)
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EN_01305572_0119 EVE
Cowherd at Valhermeil, Auvers-sur-Oise, by Camille Pissarro, 1874, French impressionist oil painting. The looser, smaller brushstrokes and lighter palette are typical of impressionist style (BSLOC_2017_3_54)
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EN_01305572_0120 EVE
Barges at Pontoise, by Camille Pissarro, 1876, French impressionist painting, oil on canvas. The barges transported goods on the Oise River to the port of Pontoise, where the artist lived (BSLOC_2017_3_55)
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EN_01305572_0121 EVE
Cote des Grouettes, Pontoise, by Camille Pissarro, 1878, French impressionist oil painting. The title translates to: Near the Grotto, Pontoise (BSLOC_2017_3_56)
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EN_01305572_0122 EVE
Washerwoman, Study, by Camille Pissarro, 1880, French impressionist painting, oil on canvas. The woman was one of Pissarro's Pontoise neighbors, a fifty-six-year-old mother of four named Marie Larcheveque (BSLOC_2017_3_57)
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EN_01305572_0123 EVE
The Harvest, Pontoise, by Camille Pissarro, 1881, French impressionist painting, oil on canvas. The theme of potato gathering recurs in Pissarro?s works, linking him to the realist painters of the 1840-1850s, while his smaller brushstrokes anticipate his pointillism and neo-impressionism (BSLOC_2017_3_58)
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EN_01305572_0124 EVE
Two Young Peasant Women, by Camille Pissarro, 1891-92, French impressionist painting, oil on canvas. In the 1880s and early 1890s, Pissarro painted many farmers due to his admiration of rural life and fear of its demise in the face of the industrial revolution (BSLOC_2017_3_59)
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EN_01305572_0125 EVE
The Dead Christ with Angels, by Edouard Manet, 1864, French impressionist painting, oil on canvas (BSLOC_2017_3_6)
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EN_01305572_0126 EVE
Bather in the Woods, by Camille Pissarro, 1895, French impressionist painting, oil on canvas. This is one of a series of nude peasant women bathing he painted in the 1890s (BSLOC_2017_3_60)
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EN_01305572_0127 EVE
Poplars, Eragny, by Camille Pissarro, 1895, French impressionist painting, oil on canvas. In the late 1890s, Pissarro retreated from neoimpressionism and returned to a more naturalistic style (BSLOC_2017_3_61)
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EN_01305572_0128 EVE
Morning, An Overcast Day, Rouen, by Camille Pissarro, 1896, French impressionist oil painting. Pissarro described the scene as 'the iron bridge on a rainy day, with much traffic, carriages, pedestrians, workers on the quays, boats, smoke, mist in the distance, the whole scene fraught with animation and life' (BSLOC_2017_3_62)
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